Embedded Files
Screening Availability
Click on a film's poster to access its screening link. Some films are publicly available, while others require a password. If a film requires a password, contact me for access. If a poster isn't clickable, the film is either still in production or does not currently have a viewing link.
Mimic (2027) - Pre-Production
Role: Assistant Editor, Script Supervisor
Editor:
Delanie Kendall
About My Involvement:
I served as the Assistant Editor and Script Supervisor on Mimic. On set, I tracked continuity, coverage, performances, and script changes to support the director and editorial team. In post-production, I created proxies, prepared and organized dailies, and managed media throughout the edit. Following picture lock, I completed turnovers for the finishing pipeline and helped carry the film through the finishing process.
Miasmacat (2027) - Post-production
Role: Assistant Editor, Script Supervisor
Editor:
Delanie Kendall
About My Involvement:
I served as the Assistant Editor and Script Supervisor on Miasmacat, supporting Editor Delanie Kendall throughout production and post-production. On set, I maintained detailed continuity notes, tracked coverage, and documented script changes to support the editorial process. In post-production, I created proxies, prepared and organized dailies, and managed media to keep the editorial workflow running efficiently. Following picture lock, I completed turnovers for the finishing pipeline and will oversee the finishing process as the project moves toward completion.
I Live in the Garden (2026) - Submitting to Festivals
Role: Assistant Editor, Script Supervisor
Editor:
Delanie Kendall
About My Involvement:
I served as the Assistant Editor and Script Supervisor on I Live in the Garden. On set, I tracked continuity, coverage, performances, and script changes to support the director and editorial team. In post-production, I created proxies, prepared and organized dailies, and managed media throughout the edit. Following picture lock, I completed turnovers for the finishing pipeline and helped carry the film through the finishing process.
Duende (2026) - Completed
Role: Assistant Editor
Editor:
Delanie Kendall
About My Involvement:
I served as the Assistant Editor on Duende, supporting Editor Delanie Kendall throughout post-production. I created proxies, prepared and organized dailies, and managed media to keep the editorial workflow running efficiently. Following picture lock, I completed turnovers for the finishing pipeline and will oversee the final finishing process as the project moves toward completion.
Province 7 (2026) - Completed
Role: Assistant Editor, Script Supervisor
Editor:
Delanie Kendall
About My Involvement:
I served as the Assistant Editor and Script Supervisor on Province 7, supporting Editor Delanie Kendall throughout production and post-production. On set, I maintained detailed continuity notes, tracked coverage, and documented script changes to support the editorial process. In post-production, I created proxies, prepared and organized dailies, and managed media to keep the editorial workflow running efficiently. Following picture lock, I completed turnovers for the finishing pipeline and will oversee the finishing process as the project moves toward completion.
Rory's Guide to Falling in Love with a Superhero (2026) - Submitting to Festivals
Role: Assistant Editor
Editor:
Karson Case
About My Involvement:
I served as the Assistant Editor on Rory's Guide to Falling in Love with a Superhero, supporting Editor Karson Case throughout post-production. I created proxies, prepared and organized dailies, and managed media to keep the editorial workflow running efficiently. Following picture lock, I completed turnovers for the finishing pipeline and oversaw the finishing process to help prepare the film for final delivery.
The Neighborhood (2025) - Completed
Role: Assistant Editor
Editor:
Victoria Page
About My Involvement:
I served as the Assistant Editor on The Neighborhood, supporting Editor Victoria Page throughout post-production. I created proxies, prepared and organized dailies, and managed media to keep the editorial workflow running efficiently. Following picture lock, I completed turnovers for the finishing pipeline and oversaw the finishing process to help prepare the film for final delivery.
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